M A N - L I K E M A C H I N E S
a r t / e n l i g h t e n m e n t / t h e f u t u r e
Here you have the full script for
Heavy Pick-Up, a screenplay by Julie Dalphin and George Dalphin
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FADE IN: Martin’s car pulls onto his parents’ small cull-de-sac and into their driveway. As he enters the driveway, he takes note of the small collection of large assorted items, including some chairs, an old treadmill, and a weight bench which are gathered at the end of his parents’ driveway. He stops the car behind his parents’ cars and gets out. He gets his large dufflebags of laundry out of his trunk and takes them into the house.
INT. MATRINS’ PARENTS’ BREEZEWAY – NIGHT Martin walks in the door, puts his dufflebags on the ground in the breezeway, then enters the door into the kitchen.
INT. KITCHEN – NIGHT Martin’s mother, Nancy, is standing at the sink, washing dishes as he enters. MARTIN NANCY Martin goes back out and comes back in with his dufflebags, and takes them downstairs.
INT. BASEMENT He puts his dufflebags on the ground and sees one of the family cats, Heidegger, on his bed. He says hello to her and pets her.
INT. UPSTAIRS Martin comes back up from the basement and peeks into the living room, where his father, Jerry, is sitting reading the paper. JERRY Martin laughs. MARTIN JERRY just nods, continuing to read the paper, and occasionally whispering “Offered officer” to himself and laughing. MARTIN goes back into the kitchen. NANCY MARTIN
NANCY MARTIN MARTIN has started to search the cupboards for food, and while he does, NANCY opens the fridge and pulls out a large sandwich she has already made, wrapped in plastic-wrap, and sets it in front of him. It has a little post-it on it that says “NO” on it. She then pulls out a Capri Sun and turns to MARTIN. NANCY MARTIN holds out his hand in a manner which says that he is used to this, and she slaps the Capri Sun down into his hand. NANCY then walks over to the radio and turns it on, and walks out of the room. NANCY MARTIN unwraps his sandwich and puts the straw into the Capri Sun. He sticks the Post-It that says “NO” on the side of the fridge, next to a few other Post-Its that say “NO”.
INT. LIVING ROOM MARTIN leans into the room with his sandwich on a plate, and his Capri Sun. His dad is reading a new paper, and his mom is embroidering a Kant quote onto a small rectangular piece of fabric. MARTIN NANCY MARTIN NANCY MARTIN JERRY MARTIN NANCY JERRY NANCY JERRY MARTIN JERRY MARTIN NANCY JERRY MARTIN stares at him. MARTIN JERRY MARTIN nods slowly as his father goes back to the paper. MARTIN NANCY MARTIN NANCY MARTIN NANCY MARTIN JERRY JERRY finished his paragraph, as MARTIN just watches him, waiting. JERRY NANCY MARTIN JERRY NANCY JERRY NANCY MARTIN JERRY MARTIN JERRY MARTIN NANCY
EXT. MARTIN’S PARENTS’ HOUSE – NIGHT Shot of the house, with the stuff out at the end of the driveway. Night sounds.
INT. DINING ROOM – MORNING JERRY is sitting at the dining room table, reading the paper. Through the window, the pile of stuff can be seen. JERRY notices, through the window, a young man walking up their cul-de-sac with a gym bag that he is rhythmically lifting like it’s a weight. As the man passes the weight bench at the end of their driveway, he stops, and looks at it, looks at his own bag, then sets it down and begins to inspect the weight bench and weights. JERRY turns in his chair to look out the window at the man. The MAN sits on the weight bench and starts to load on some weights. He then lies back, breathes for a moment, and then starts lifting. JERRY stands and goes to the window, with his coffee. For a while, he just watches the guy lift weights. Then he goes back and sits down and opens the paper again. NANCY walks in and immediately sees the man outside on their weight bench, and turns quickly to look at JERRY, as if he might know something about it, but JERRY is just reading his paper. So she turns back to the window and watches the man lift for a while. Then she sits down next to JERRY. NANCY JERRY NANCY They look at each other, and realize together with a glance that it can’t be a friend of Martin’s. JERRY NANCY JERRY
INT. BASEMENT – DAY MARTIN awakens and gets out of bed. He just stands and scratches for a while, then he puts on his clothes and goes upstairs.
INT. DINING ROOM – DAY NANCY and JERRY are sitting at the table when MARTIN walks in. MARTIN sits down and just stares, half-awake. NANCY is doing the crossword, and JERRY is reading the paper. JERRY JERRY shakes his head. They all just sit there for a while again. NANCY MARTIN NANCY MARTIN NANCY MARTIN JERRY MARTIN NANCY MARTIN NANCY MARTIN NANCY JERRY gives a mime example of a man lifting a very heavy weight with difficulty. MARTIN JERRY MARTIN NANCY MARTIN is silent for a moment. MARTIN NANCY MARTIN NANCY JERRY JERRY gets up and goes to the phone. NANCY In the middle of this, MARTIN gets up and goes out of the room to put in his laundry, and NANCY finishes her lines alone.
INT. BASEMENT – DAY MARTIN is putting his laundry in the washer.
INT. KITCHEN – DAY MARTIN comes back into the kitchen and stands with JERRY, who is holding the phone to his ear. After a moment, JERRY whispers. JERRY MARTIN nods and goes into the dining room. NANCY has already set Martin’s place at the table with a bowl of cereal and a glass of milk with plastic wrap over it and a Post-It note that says “NO”. MARTIN MARTIN takes the plastic wrap off the glass and starts to stick the Post-It on the table next to his bowl. NANCY NANCY wags her finger at him, and he takes the Post-It into the kitchen and sticks it on the fridge with the others. MARTIN starts to eat his cereal, and over his crunching can be heard JERRY in the other room, finally getting through to a reporter. JERRY NANCY JERRY JERRY hangs up and claps his hands together, rubbing them and walking into the dining room with a very proud grin on his face. JERRY MARTIN
EXT. DRIVEWAY – SUNDOWN MARTIN lights a cigarette, standing just outside the door, and as he smokes it, he slowly saunters down the driveway past the cars and walks up to the pile of stuff at the end. MARTIN just looks at the weight bench, standing over it and smoking. After a moment, he reaches down and touches it, feeling the cushion, then he sits on it. The weight bar is still on the bench, and he stands up over it, positioning his cigarette in his lips, and tries to lift it. The bar is too heavy for him, and he repositions his cigarette and tries again, again it being too heavy. MARTIN stands directly over it and tries very hard to lift it, only being able to do so the tiniest bit. Through the window, standing in the dining room, JERRY can be seen mimicking Martin’s actions.
INT. KITCHEN – MORNING MARTIN, NANCY and JERRY shuffle into the kitchen, clearly just having awoken, and NANCY starts to pour coffee. JERRY goes out to get the paper.
EXT. DRIVEWAY – MORNING JERRY walks out towards the end of the driveway, where the paper is lying, and as he gets there he notices the young man from the day before is walking up the cul-de-sac towards the weight bench, again carrying his gym bag. The man starts to slow his walk, as JERRY reaches the paper at the end of the driveway and looks at him. He slowly approaches JERRY and the weight bench. BALD GUY JERRY BALD GUY stops and looks concerned and confused, as JERRY fumbles with the paper and opens it to the middle, then searches for a while through one section. JERRY
INT. DINING ROOM – DAY MARTIN and NANCY are sitting, drinking coffee, and watching out the window as JERRY shows BALD GUY the paper, and they talk. MARTIN NANCY MARTIN NANCY JERRY comes in with the paper as NANCY gets up to pour the gentleman some coffee. JERRY MARTIN NANCY JERRY sits down next to MARTIN and flaps the paper open. JERRY MARTIN sips his coffee, and looks out the window at the BALD GUY lifting weights on the bench at the end of the driveway. NANCY walks into view, with a cup of coffee on a silver tray, sets it next to the BALD GUY as he puts down the weight and sits up. He smiles to her, but clearly looks confused.
INT. LIVING ROOM MARTIN is sitting on the carpet, and he lays out some of his concept drawings for possible installation pieces around him in a circle. His mother is standing behind him, looking at the drawings. NANCY NANCY starts to sing a made-up song to the tune of “My Favorite Things.” NANCY MARTIN NANCY walks past him and out of the room, while continuing to hum the song. MARTIN looks over his drawings for a few moments.
INT. DINING ROOM – EVENING MARTIN, JERRY and NANCY are sitting at the table, eating dinner. MARTIN JERRY MARTIN JERRY MARTIN NANCY MARTIN looks confused for a moment, then understands what she means. All of a sudden there is a loud crash from outside, and all three of them quickly turn and look out the window. Out the window, a STOCKY MAN has just dropped one of the weights near the end of the driveway, and he is looking around, worried. He then grabs his bag, dropping a folded newspaper, and runs away into the woods. The three of them all look at each other.
EXT. END OF THE DRIVEWAY MARTIN, JERRY and NANCY all walk out to the weight bench where the paper is lying that the man dropped. JERRY picks it up while the other two look around. NANCY JERRY MARTIN MARTIN points at the STOCKY MAN who is hiding behind a tree near the edge of the woods. The MAN sees Martin pointing, and runs out of the woods and down the street, away. The three of them all just stand and watch.
EXT. DRIVEWAY – MORNING Shot of the driveway with the pile of stuff at the end, early morning.
INT. KITCHEN – MORNING NANCY is making muffins and humming the Stones song Wild Horses to herself. She keeps looking out the window. She sees, after a few moments, two men walking up the cul-de-sac, one of whom is the original BALD MAN. She gets an excited look on her face. NANCY JERRY (from upstairs)
MARTIN (from downstairs) NANCY JERRY and MARTIN both enter the kitchen at the same time and look out to see the two men. MARTIN is only in his underwear. MARTIN NANCY MARTIN goes back downstairs. JERRY NANCY JERRY JERRY goes to get some cornflakes and NANCY takes the muffins out and wraps them in plastic wrap and sticks a note saying “NO” on them while eyeing Jerry. MARTIN comes back upstairs in a suit, though it is sloppy. NANCY MARTIN NANCY MARTIN NANCY takes the muffins outside.
EXT. DRIVEWAY – MORNING NANCY walks out to the men with her muffins. The BALD MAN is lifting and the other MAN is spotting him. NANCY OTHER MAN NANCY OTHER MAN The OTHER MAN seems quite taken aback, and doesn’t know what to say. NANCY OTHER MAN NANCY The OTHER MAN just stares at her, unsure what to say. NANCY NANCY puts the muffins down on a rolling cart which is in the heap of trash, and walks back inside. The BALD MAN stops lifting and puts down the bar, and they both look at the muffins but do not approach them, due to the “NO” note. BALD MAN OTHER MAN
INT. KITCHEN – MORNING NANCY walks back in and MARTIN and JERRY are eating cereal. JERRY MARTIN NANCY NANCY sits down at the table and watches the weightlifters through the window. They are all quiet for a while. JERRY NANCY MARTIN JERRY
EXT. DRIVEWAY – EVENING
INT. KITCHEN NANCY sets the tray of muffins on the counter. NANCY JERRY (from other room) NANCY MARTIN is standing behind her. He looks at her and points at the sticker that says “NO”. NANCY MARTIN NANCY NANCY takes the sticker off the muffins and goes to put it on the side of the fridge, and while she is facing away and occupied, JERRY sneaks into the room and steals as many muffins as he can fit under his sweater, and when she turns around he is leaving.
NANCY MARTIN NANCY takes the rest of the muffins back outside. MARTIN takes out a cigarette and puts it in his lips as he follows her out.
EXT. DRIVEWAY – MORNING There is a crowd of people around the weight bench while one person is working out. A couple of the people go across the street and get more chairs from the neighbors’ pile and bring them to sit down around the weight bench. People are talking, and eating muffins and drinking PowerAde. One person sees the treadmill which is upside down and closed. TREADMILL OPENER OTHER PERSON The TREADMILL OPENER goes to the treadmill and spends some time figuring out that it is upsidedown, and trying to open it and make it work. Finally, after much work, she realizes that it needs to be plugged in.
INT. DINING ROOM – MORNING JERRY and NANCY are sitting, JERRY with his paper, and NANCY is watching out the window at the person opening the treadmill. NANCY JERRY NANCY TREADMILL OPENER is now walking up towards the front door of the house. They both watch her, curiously. The doorbell rings. JERRY and NANCY both just look at each other for a moment, not used to hearing the doorbell, then JERRY goes to the door and answers it. JERRY TREADMILL OPENER JERRY Another person runs up behind the woman. OTHER PERSON JERRY OTHER PERSON JERRY JERRY runs back into the house.
EXT. DRIVEWAY JERRY is hammering a nail into the tree near the driveway.
INT. BASEMENT MARTIN awakens groggily to the sound of hammering.
EXT. DRIVEWAY JERRY is now hanging a clipboard with sign-up sheets on it onto the nail on the tree. A small line of people are standing behind him waiting to sign up. JERRY While he’s doing this, a car pulls up and a woman comes out with a camera and starts taking pictures. JERRY’S face lights up when he sees this.
INT. DINING ROOM MARTIN walks in, still half asleep. NANCY is doing the crossword. NANCY MARTIN NANCY MARTIN NANCY laughs. NANCY MARTIN NANCY
EXT. DRIVEWAY MARTIN steps out just as JERRY is walking up to the door. JERRY MARTIN JERRY MARTIN goes up to the tray of muffins and sees that there is now a post-it on the tray which says “Please help yourself.” So he does. He stands there eating a muffin, surrounded by strangers. ONE OF THE GUYS MARTIN ONE OF THE GUYS A bunch of the people sitting around the weight equipment turn and nod. One lifts his PowerAde to MARTIN. MARTIN continues to eat his muffin. MARTIN swipes a PowerAde and another muffin, and goes inside.
INT. BASEMENT MARTIN sits down on his bed, somewhat bewildered. He eats the muffin, and drinks his PowerAde.
INT. BASEMENT MARTIN is working on drawings for his installation, and is frustrated at his lack of good ideas. Nothing he has come up with seems to strike a chord with him.
INT. DINING ROOM – MORNING JERRY unfolds his paper and begins reading. There is a large crowd again outside, working out and hanging out around the equipment. Some people occasionally go to the sign-up sheet and sign up. JERRY seems very pleased. All of a sudden a huge grin comes across his face. JERRY NANCY comes into the room and looks at the paper, where JERRY shows her a large picture of himself next to the sign-up sheet. JERRY NANCY They both are mesmerized by the article.
INT. LIVING ROOM MARTIN is standing by himself watching out the window at the weight lifters, very confused. Finally, he walks out the door.
EXT. DRIVEWAY MARTIN walks up to the weight bench and stands next to the person who is spotting while another person works out. He just watches for a few moments, then addresses the lifter. The man lifting does not respond, and instead the DENTIST who is spotting him does. MARTIN DENTIST MARTIN DENTIST MARTIN is standing listening to the DENTIST shivering and holding himself. DENTIST DENTIST pats MARTIN on the back. DENTIST A look of realization crosses MARTIN’S face.
INT. LIVING ROOM MARTIN is sitting on the floor in the living room sketching furiously concept drawings of his new idea for an installation. JERRY walks up beside MARTIN and looks at the drawings. JERRY MARTIN JERRY MARTIN JERRY INT. BASEMENT MARTIN is packing all of his laundry. He is getting ready to go back to school
EXT. DRIVEWAY – NIGHT MARTIN packs his car, gets in and drives away.
EXT. DRIVEWAY – MORNING The stuff is gone. The first two men who showed up to lift weights walk up to the end of the driveway and look around confused at the lack of stuff. They then go up to the sign up sheet, sign their names and walk away. |
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fuck copyright for ritual purposes, (c) 2007 Man-Like Machines